tag:blogger.com,1999:blog-49058270802521067742024-03-21T03:10:11.176+00:00Barry Traish BlogsBarry Traishhttp://www.blogger.com/profile/07946797327165202262noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-4905827080252106774.post-28992591642622918202020-09-24T20:55:00.001+00:002020-10-04T17:19:52.110+00:00The Rash Vow by Tamám Shud<p><span style="font-size: medium;"><span style="font-family: verdana;">The 1948 <a href="https://en.wikipedia.org/wiki/Tamam_Shud_case" target="_blank">Somerton Man mystery</a>, also known as the Tamám Shud mystery, got me interested in many diverse topics, including cryptography, DNA, 1940s Australia and anything with those two intriguing words. "Tamám Shud" were the closing words in the famous poetical work, The Rub</span><span style="font-family: verdana;">á</span><span style="font-family: verdana;">iy</span><span style="font-family: verdana;">á</span><span style="font-family: verdana;">t of Omar Khayyam and mean "finished" or "ended". The 12th century work has been popular in the West since 1860, with numerous worldwide Omar Khayyam clubs.</span></span></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2vPY5udaJdYD4-jUzHYLMrSd2gAFBsXeixuprKUcmcpsbtOesoZtwenxOoGy0BvKF9e2_3qIabs2GOC6OlVBM7WYV4nFmpc2qj_j2P6fN5Fxh_wrAIH13uGjB_DjIPCOoo7SZaw77Am_K/s2006/A+Rash+Vow.png" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span style="font-size: medium;"><img border="0" data-original-height="2006" data-original-width="1254" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2vPY5udaJdYD4-jUzHYLMrSd2gAFBsXeixuprKUcmcpsbtOesoZtwenxOoGy0BvKF9e2_3qIabs2GOC6OlVBM7WYV4nFmpc2qj_j2P6fN5Fxh_wrAIH13uGjB_DjIPCOoo7SZaw77Am_K/w250-h400/A+Rash+Vow.png" width="250" /></span></a></div><span style="font-size: medium;"><span style="font-family: verdana;">The </span><span style="font-family: verdana;">Rub</span><span style="font-family: verdana;">á</span><span style="font-family: verdana;">iy</span><span style="font-family: verdana;">á</span><span style="font-family: verdana;">t</span><span style="font-family: verdana;"> has inspired much in popular culture, includes titling works by Nevil Shute, Agatha Christie, Stephen King and others. I should not have been surprised when last year I found that Tam</span><span style="font-family: verdana;">ám Shud was used as a <i>nom-de-plume</i> for the author of an 1894 book, A Rash Vow.</span><span style="font-family: verdana;"><br /></span></span><p></p><div><span style="font-family: verdana; font-size: medium;">Initially I was frustrated because A Rash Vow seemed to have disappeared without trace after publication. Never reprinted, held only by a couple of copyright libraries and with only two very short reviews, it looked to be unobtainable. However, recently the British Library has created a <a href="https://www.bl.uk/collection-guides/digitised-printed-books" target="_blank">Digital Printed Books</a> project, making over 60,000 out of copyright 18th and 19th century books available free online. Including <a href="http://explore.bl.uk/primo_library/libweb/action/display.do?tabs=moreTab&doc=BLL01014830551" target="_blank">A Rash Vow</a>. </span></div><div><span style="font-family: verdana; font-size: medium;"><br /></span></div><div><span style="font-family: verdana; font-size: medium;">The plot revolves around a young lady who makes a rash vow, to aid a stranger on a train smuggle the corpse of his wife back to England, so that she can be buried at home. The girl is called Rue, though she doesn't rue her vow in the end.</span></div><div><span style="font-family: verdana; font-size: medium;"><br /></span></div><div><span style="font-size: medium;"><span style="font-family: verdana;">Now, to be honest, there's a good reason it was published pseudonymously, cost only one shilling and was never reprinted. Whilst the contemporary reviews describe it as "charmingly told" and "readable enough", it's a romance with a gruesome premise which would not meet the sta</span><span style="font-family: verdana;">ndards of modern writing and "twee" and "prosaic" would be better adjectives.</span></span></div><div><span style="font-family: verdana; font-size: medium;"><br /></span></div><div><span style="font-family: verdana; font-size: medium;">However, it does bear some weak coincidental similarities with the Somerton Man case:</span></div><div><ul style="text-align: left;"><li><span style="font-family: verdana; font-size: medium;">It starts an unusual mystery which leads to a romance</span></li><li><span style="font-family: verdana; font-size: medium;">There is a body, at first thought to be drugged unconscious, but actually dead</span></li><li><span style="font-family: verdana; font-size: medium;">Foxgloves feature repeatedly, the source of Digitalis (which probably didn't kill the Somerton Man)</span></li><li><span style="font-family: verdana; font-size: medium;">An Australian connection, with some characters living there</span></li></ul><div><span style="font-size: medium;"><span style="font-family: verdana;">Recommended? No. But it does show the ubiquitous influence the </span><span style="font-family: verdana;">Rub</span><span style="font-family: verdana;">á</span><span style="font-family: verdana;">iy</span><span style="font-family: verdana;">á</span><span style="font-family: verdana;">t had on the culture of previous generations, and closes another chapter in the </span><span style="font-family: verdana;">Tamám Shud mystery</span><span style="font-family: verdana;">.</span></span></div></div><div><span style="font-family: verdana;"><br /></span></div>Barry Traishhttp://www.blogger.com/profile/07946797327165202262noreply@blogger.com0